#ADOBE PREMIERE PRO CC DOWNLOAD UPDATE#
#ADOBE PREMIERE PRO CC DOWNLOAD SOFTWARE#

You can export your timeline without rendering to SpeedGrade, apply colour correction and send back to Premiere Pro without any destructive edits to your cut points. The latter point was the sole reason why I stopped using Apple Color you lost any control over your cut points when you sent a timeline back to Final Cut. Premiere Pro now integrates seamlessly with SpeedGrade. In the above video, Josh quite rightly saves the ‘best feature ’til last’. I’ve had to use a work around for this in the past with FCP7, Involving enabling a 1 minute auto render and keeping all timelines active in your timeline window. You can highlight all sequences in your project bin and now choose to render all sequences at once.

Sequences now have a thumbnail with a hover scroll just like individual clips. You can now view sequences in the project bin just like clips.

I’m a bit of a list view kind of guy, but for those who use thumbnails this will please you. Premiere Pro will remember your previous trim type and offer this up first. With this feature enabled you can change between trim types with a simply hit of the CMD button. This is quite a nice feature for improving your speed as you edit. The speed options now accept negative values to give you a quick solution to reversing the speed of a clip. Self explanatory really but you can copy a transition and paste it to many cuts simultaneously.Īnother very small update, but it’s one that makes the switch from FCP7 to Premiere Pro feel that little bit more at home. I’m sure like most of you, I’ve longed for this feature in your editing software.

#ADOBE PREMIERE PRO CC DOWNLOAD UPDATE#

Little update here, but you can now choose whether or not markers on a timeline are affected by a ripple edit. Premiere Pro now interprets footage un-destructively (unlike FCP’s Cinema Tools which conforms destructively), and also has the options to preserve interpretations when making files offline/online. You can also quickly add a freeze frame segment within a clip at a specific time so the clip continues where it left off after the freeze frame. You can now simply make a freeze frame within the timeline that doesn’t adhere to clip length. This is a little update, but makes freeze framing a little easier to manage. Overlays include time code, clip name and markers, and can be tweaked in text size, opacity and whether or not they’re visible on pause or constant. You can now apply a selection of customizable monitor overlays to your preview window. Premiere Pro will now recognize CinemaDNG sequences as video, and allow you to natively edit the files on a timeline. This is big news for blackmagic cinema camera users. Where Premier Pro excels over FCP7 here is the inclusion of editable framerates. You can now edit the settings of a live sequence, including render codec, resolution etc. You can now apply effects to your individual clips within a multi-cam timeline, along with independently selecting cameras and re-ordering cameras.Īs an FCP7 user, I felt this was missed on Premiere Pro. Multi-cam editing gets a few nods in the upgrade. Just select the clip/s you want the command to apply and hit the shortcut. You no longer have to play about with the activation of certain tracks on the left hand side. The update makes the add edit function quick and easy to use. This feature is one previously missed by FCP7 users. Here’s a break down of the featured updates: The above video provides a fantastic overview of some of the new features in the update. Version 7.1 has just been released for Premiere Pro, boasting new features such as native CinemaDNG editing and seamless integration with SpeedGrade.

#ADOBE PREMIERE PRO CC DOWNLOAD SOFTWARE#

Adobe is fulfilling promises of significant, regular updates to their Creative Cloud software products.

Adobe premiere pro cc download